Cheerio.

The photos, details, and thoughts taking place during my year in Europe. If you aren't friends or family, you'll probably find this boring. If you are, it will be slightly less boring.
I don't know how I feel about the names of cities and countries varying from language to language. It can make things very confusing. When I told the kids here that I was going to Austria, they didn't know what I was talking about until Hans explained that I was going to "Osterreich". Lindsay made the suggestion that all places should be referred to by their native name, which makes sense to me. Write your local MP and cartographer and let's see if we can't change things for the better.
Of course, once in the airport I made a beeline for an essential pitstop, a pitstop which the Netherlands is sorely lacking.
(Tangent: should I say the Netherlands "is" lacking, or the Netherlands "are" lacking? Hmmm...)
After buying a Vienna Card, which gives us 72 hours of free transit and discounts on museums, we made our way towards the CAT (City-Airport Train) which would deliver us into the city center.
Did you know that Vienna has the ugliest, tackiest hallways of any city I've ever been in? It's uncanny, really. The walls and floors are painted with garrish neon hues and wall size posters are pasted everywhere. Every walkway looked like this.
The CAT, which takes us to...
...the subway, which would take us within a few blocks of our hotel.
Everytime I'm in a European city I think of how terrible the transit options are in North American ones.
Our station stop was "Rathaus", which is the first thing we saw when we emerged from underground.
Rathaus is the German name for the city hall. I think it's great that they keep their politicians in a building that sounds like Rat House. This is the rear of the Rathaus, and if you think it looks impressive from the back, just wait til you see the front.
First we had to find our accommodation. I had committed the narrow streets of the neighbourhood to memory, so I marched off with confidence towards the Zipser Hotel.
I bet you're thinking I'm going to get lost, aren't you?
So did Lindsay, which is why I smiled smugly when we ended up on the right doorstep with no problems.
After dealing with a coldly efficient hotel clerk (much different than the warm and friendly staff at the hotel in Istanbul), we headed off for our room. This is how the hall looked.
Apparently 3-star hotels here think it's classy when you tack up red plastic to yellow-painted walls. (??!?)
After getting settled in, we headed off exploring. First stop, Rathaus.
The building is only 130 years old. That's like a newborn for this continent.
In the picture above you can see a bunch of fencing. That's the skating park, which I was greatly looking forward to; it has two large outdoor rinks in front of the Rathaus and connects them by a long, winding ice path. It's tremendously popular with the Viennese, who come out in the evenings to skate under the city lights.
We also found out that it opens for the season 6 days after we leave. Sigh...
Next door to the Rathaus is a behemoth of a building with what looks to my untrained eye as Greek-inspired architecture. (Indeed; I find out later that the statue in front is Athena).
It's the Austrian parliament.
Notice the Rathaus tower rising in the background of the picture above. It's nice.
We set off down the road that circles the inner city center. As you walk along it's amazing how many huge buildings there are, such as the one two pictures down. I only found out what a fraction of them were built for.
Eventually you come to two gigantic buildings, which were orginally built as part of a palace complex and are now the Museums of National History and Modern Art, respectively. They are identical and sit directly across from each other, with a big statue in the middle.
Just behind those museums is the Museumsquartier, a collection of art museums. This is where our target for the afternoon, the Leopold Museum, was located.
After all that amazing architecture, this is how the Leopold looks.
I'm not even going to bother describing how mediocre and boring it was. It is exactly as interesting on the inside as it is on the outside.
Anyway, after grabbing a bite to eat we spent the rest of the evening wandering downtown Vienna, which is a great shopping district. Vienna is full of famous old coffee shops where figures such as Sigmund Freud and Leon Trotsky used to spend hours playing chess and discussing philosophy. We found one and spent an hour dicussing whether vegetarians are morally superior to the rest of us.
(I say no).
Cabinet ministers and officials [...] have held a series of crisis meetings and ordered counter-terrorist services to draw up security plans. Dutch nationals overseas have been asked to register with their embassies and local mayors in the Netherlands have been put on standby.
Dutch media reported the government is preparing for a possible evacuation of its embassies and citizens from the Middle East. But Foreign Ministry spokesman Bart Rijs told AFP there were no special emergency measures in place at the moment.
"We always have scenarios for possible calamities at our embassies, consulates and other Dutch representations abroad. They are regularly updated," he said.
Wilders, the head of the far-right Freedom Party, announced in November that he planned to release a 10-minute film this month that will show his view that Islam's holy book, the Koran, "is an inspiration for intolerance, murder and terror".
Nobody knows for sure if the film project will ever see the light of day but the government here is bracing for the worst.
Prime Minister Jan Peter Balkenende told reporters yesterday his government is prepared for any possible fallout, AFP reported. The Dutch leader said he couldn't comment on Wilders' film, because he had not seen it, but he emphasized his government would not censor it.
"The Netherlands has a tradition of freedom of expression and freedom of religion but also a tradition of mutual respect, and provocations do not fit into that. I call on everybody to take their individual responsibility," he said, according to AFP.
In November Foreign Minister Maxime Verhagen met with Wilders personally "to point out the risks in making such a movie for himself and his entourage, and for the Netherlands and the Dutch interests abroad," Verhagen's spokesman Bart Rijs said.
The Dutch Muslim Council has warned the government: if the movie is broadcasted anywhere, riots are certain. “We fear for the worst,” stated the council. “The youths on the streets will have the last word. We can’t stop them.”
From her self-imposed exile in Washington, Hirsi Ali last week criticised the new film as 'provocation' and called on the major Dutch political parties to restart a debate on immigration that has split Dutch society in recent years, rather than leave the field to extremists.
On Monday, a senior Iranian lawmaker warned the Netherlands not to allow the screening of Wilders' film, claiming it "reflects insulting views about the Holy Koran."
Alaeddin Boroujerdi, head of the Majlis National Security and Foreign Policy Commission, promised widespread protests and a review of Iran's relationship with the Netherlands if Wilders' work is shown.[...]
On Wednesday the Netherlands got a taste of a possible reaction of the Muslim world when the Grand Mufti of Syria Ahmad Badr Al-Din Hassoun told the European Parliament in Strasbourg that if Wilders burns or tears up the Koran in his film "this will mean he wants war and bloodshed".
When Atilla Yayla, a maverick political science professor, offered a mild criticism of Turkey’s first years as a country, his remarks unleashed a torrent of abuse.
“Traitor!” a newspaper headline shouted. His college dismissed him. State prosecutors in this western city, where he spoke, opened a criminal case against him. His crime? Violating an obscure law against insulting the legacy of Mustafa Kemal Ataturk, Turkey’s founder.
“I need thoughts to counter my ideas,” Mr. Yayla said. “Instead they attacked me.”
Turkey’s government has taken on the issue of free speech and is expected as early as Friday to announce a weakening of a law against insulting Turkishness, an amendment that is considered a key measure of the democratic maturity of this Muslim country as it tries to gain acceptance to the European Union.
But while that law, called Article 301, is known to many in the West — Orhan Pamuk, the Nobel Prize-winning Turkish novelist, was prosecuted under 301 — it is just one of many laws that limit freedom of expression for intellectuals in Turkey. The law under which Mr. Yayla was prosecuted, for example, dates from 1951 and is not even part of the penal code.
[...]
Mr. Yayla, for his part, said he was simply trying to provoke a thoughtful discussion on the monopoly of political symbols.
“Of course we need to have Ataturk statues, but there are other people in Turkish history, and they deserve statues, too,” he said by telephone.
Fireworks under fire
De Telegraaf reports on an appeal by Dutch Public Prosecutor Gustaaf Biezeveld for a European-wide ban on the sale of fireworks. The public prosecutor argues that the problem is more serious in the Netherlands than in other European countries.
De Telegraaf uses statistics to back up the argument: "During the recent New Year's celebrations around 1,100 people were injured, most of them by illegal fireworks. There were millions of euros in damage to public property, many cars were destroyed and 22 schools were burned down." [Brian's note: twenty-two schools?!! That can't be right...]
Dutch law does not ban the sale of fireworks to individuals. The public prosecutor wants to change this so that it may only be sold for public events. He says the European Union should make a deal with China to end the practice. "The United States already has made this kind of deal and it works perfectly."